Welcome to Alphabet Roadtrip, the blog of Iskra Design. Alphabet Roadtrip is a hybrid of design and fine art. Here you will find my newest work in design and lettering, process notes, and writing on the subjects of design and visual culture. To see my work please visit the portfolios in the navigation menu above. If you are already a fan of Alphabet Roadtrip you may have saved links from my old website. This is the NEW(!) site. Please do update your bookmarks so we don’t lose touch.
Dear followers of Alphabet Roadtrip,
I am focused at this time on my fine art and most activity is taking place on my other website at Iskra Fine Art. There you can see the new work that has evolved from my years in design and the alphabet. I work in many media including painting, drawing and digital printmaking. I hope you will visit me there!
All my best,
My first experiment with Procreate, a study in technique in a classic calligraphy style.
For the past month I have been experimenting with a new way of making calligraphy, with an iPad and Apple Pencil, in a little app called Procreate. Whoever designed this program must have had Merlin as a consultant, with deep magic and a cauldron of spells. Digital technology has finally caught up with the hand! Here are some recent projects I’ve been doing to see how fluid my writing can become, using classic texts that celebrate life and beauty.
Above, much-loved quotes from Mary Oliver, Rumi, and a fragment of ancient Noh theater celebrating spring, with a background created with plants from my garden.
I officially declare this week “Love All Week Long Week,” in honor of St. Valentine and his disciples, who might include Rodney King, with his timely quote from 1992: “Can We All Get along?” The quotation is sometimes amended with the addition of “just,” as I’ve written it here. On Valentines Day I like to spend time in the studio using my calligraphy practice to think about love. Each year it takes a different turn. Given the chaotic state of the nation, King’s plea is more relevant than ever, and a return to these poignant words from 1992 did not seem out of order.
This set of work is an exploration of voice in letter forms. The quotation can range in tone from Hallmark Greeting to hip hop to something you might see in an alley emblazoned on a wall. Check it out.
Wishing you Love in whatever form it finds you!
Follow me on Instagram to see more projects in process.
This very fine article by Roxane Gay in a recent New York Times inspired the poster above. Truly, not voting, claiming apathy or disillusionment, is a luxury that none of us can afford if we want a functioning democracy. For type geeks, the font is ITC Modern, a favorite in the Bodoniesque family, and the script is hand drawn by yours truly.
Designing a quotation in calligraphy for the modern age is not, forgive me, always a piece of cake. Sometimes it is quite vexing, especially when you test your ideas out on a trusted focus group and they say things like “Why does that calligraphy look like frosting?” or “You know, Marie Antoinette never actually said “let them eat cake….” Sigh. . . .
It appears to be true, that my favorite diva of a previous gilded age was not the author of that quote and was in fact a lovely woman who showered the peasants (her peasants) with presents. Regardless, given the current rehash of the gilded ages playing out daily on television, internet and IRL, Marie Antoinette and her current doppelgängers have been on my mind. These classic Words That Marie Did Not Say sound completely contemporary today.
Here are three different approaches I took to creating a modern broadside from a classic text. I knew I wanted the letters to echo the form of both a gown and a cake, and settled very quickly on the style of script. The big question was context: what kind of background should the lettering have? The first version was done in the spirit of the parlor, with an ornamental touch.
Marie Antoinette on a plate, with lace.
Then I started thinking about the French Revolution, which wasn’t really that pretty. Think rioting in the street, guillotines, torches and smoke. This version feels cinematically correct, and evokes the mood of a revolution:
Marie running from the riots.
Lastly I did this version, in which the cake stands in for an urban kiosk, and could be right down the street in my own fair city, with its lush graffiti gardens and cyber-dystopian perfumes. I know, you can’t really read it, but that’s the beauty of urban walls.
Marie, dressing for a riot.
I dearly hope Marie is not offended by my liberties. I grew very fond of her while hand lettering the title for her biography:
The Real Marie.
Let me know what you think. Should I have actually baked a cake and done the words in real frosting? Next time! ‘Til then, follow me on Instagram and theispot to see what’s cooking in the studio.